Gregory Feldmann

Hailed for his “fresh and resonant voice” (Seen and Heard International), baritone Gregory Feldmann is a rising artist on opera and recital stages alike. He is currently a member of the 2023-24 International Opera Studio with Opernhaus Zürich, where he debuted in Wolfgang Rihm’s Jakob Lenz in November 2022. Feldmann’s season with Opernhaus Zürich includes the Servo/Assassino in Verdí’s Macbeth, a Lord in Sondheim’s Sweeney Todd, and Demetrius in Britten’s A Midsummer Night’s Dream. Feldmann was a Young Artist with the 2022 Glimmerglass Festival, going on to cover Max Detweiler in The Sound of Music, as well as premiering the roles of Cedric and Matteo in Ken Ludwig’s new Rossini pastiche, Tenor Overboard.

A passionate recitalist, Feldmann enjoys a “luminous” collaboration with pianist Nathaniel LaNasa (Oberon’s Grove). The duo have given recitals in venues worldwide, including Carnegie Hall, Wigmore Hall, the Royaumont Abbey, and the Musée d’Orsay. Feldmann and LaNasa’s project American Icons explores the experiences of people living in the shadows of national monuments and myths, and has featured commissions from composers Shawn Chang, Molly Joyce, Matthew Ricketts, and Jorell Williams. They will premiere Iain Bell’s We Two with the New York Festival of Song’s NEXT series in October 2023. Last summer, Feldmann made his Zürich recital debut alongside pianist Elaine Fukunaga in June 2023, performing “Time as enemy, time as friend”: songs by Schubert, Ginastera, Poulenc, and more with Klassifest Zürich.

On the concert stage, Feldmann performed excerpts from Rossini’s Il barbiere di Siviglia and Verdí’s Rigoletto with the Neue Philharmonie München in June 2023. He joins the Tonhalle Orchester Zürich’s Kammermusik Matinee Series in March 2024, performing Beethoven and Schubert lieder with piano trio. Feldmann is a graduate of the Artist Diploma in Opera Studies program at the Juilliard School, where he studied with Elizabeth Bishop and Sanford Sylvan.